Complete with rejecting email and outline of my next plan of attack.
Dear Ms WardThank you for your interesting letter. We would like to have been able to publish it, but there is space in our correspondence columns for only a fraction of the letters received each week. A copy of your letter has, of course, been passed on for the information of Jeremy Clarkson and the News Review Editor.
From: Victoria Ward [mailto:firstname.lastname@example.org]
Sent: 21 January 2008 16:43
To: Sunday Times Letters
Subject: Mr Clarkson’s bullyboy tactics, this time with telephone number
Mr Clarkson’s views about the Arts Council cuts, expressed last Sunday, are sit very uncomfortably with me. I’m fine with him having strong views, even with him having politically incorrect views. But the distasteful, ill-informed and bigoted way in which he has chosen to express himself serves no useful purpose except to add another layer of ill-gotten gains to his already swelling coffers. And that’s really only useful to him isn’t it? It’s probably just as well that the only time we’ll see him on the underground is on posters. Otherwise he’d probably get a lively earful from a passing arty person of some kind of ethnicity which doesn’t appeal to him (or two, or three, or even some of us middle-class, middle-aged whities might join in). Oh, and perhaps we’d invite Benjamin Zephaniah along to write a poem about it.
Let me try and explain, more seriously, why this is so important to me.
Mr Clarkson is a man who could use his unreconstructed white, middle class comfy conservatism and well heeled, bully boyishness (with it’s inexplicable popularity), to engage all kinds of people, the kinds who don’t normally, in holding intelligent and lively conversation about the role of culture in a democratic society, and how this can best be supported by a mix of private and public backing. It seems a shame that all he sees fit to do is demonstrate an ugly, ill-considered and provocative ignorance.There is something here which we should be grappling with, in all it’s complexity, neither with simplistic ranting nor with the kind sentimental support for multi-culturalism which I find equally distasteful. Neither dilution through prize-days-with-no-prizes, nor polarised caricature and contempt are the answer for a democracy such as ours. Neither namby-pamby or nimby suits us.
Britain is a nation jam-packed with cultural entrepreneurship, festival and celebration expressed in the widest possible range of ways and it’s mature enough to have some pretty hard conversations about what should, and should not, be going on in the arts. We are witnessing the resurgence in all things art, (in which I include all kinds of art, music, multi-media, history and heritage, philosophies, debate, theatre, performance, events etc) as an important way to break down retrenchments and hostility associated with identity, violence and confrontation. And in more subtle, but exciting ways, there are many signs of attempts to relocate work and community in people’s lives as having some kind of cultural substance. In short, we are rediscovering meaning, and culture is a key vehicle for such rediscovery. (I should know, its a subject I’m researching at present.) In fact Mr Clarkson is proposing exactly the opposite of Mr Jenkin’s recent view in the Guardian that the British Council now take the lead in British diplomacy in all but the most politically sensitive countries. (http://www.guardian.co.uk/comment/story/0,,2242835,00.html “Russia’s assault on the British Council reveals the true nature of diplomacy.” The first line says ‘Western democracies propagate their values more effectively through cultural exchange than through bullying rhetoric’ Perhaps Russia would suit Mr Clarkson better than the UK?)
By all means lets have a lively conversation about what kinds of cultural enterprise should be backed, and for whose benefit. This is not that conversation. It’s a self-opinionated, poorly researched rant by a man unqualified to offer any kind of commentary in this arena. Mr Clarkson should either get back behind the wheel and stay there, or step forward properly and use his public position and following to engage thoughtfully in this important subject and draw into it those who would not otherwise engage.
The BBC should be ashamed of having given him a platform from which to rant so ill-advisedly, and the Sunday Times should be even more ashamed of having published such an article.
So here’s what I said back:
Thanks for letting me know. I’ll put it in my blog instead then and have an unheard rant like a tree falling in the forest. I’m going to write to Mark Thomson too and have a bash at the BBC about putting the license fee towards things it’s needed for like the World Service and not wasting it on Jeremy Clarkson and Jonathon Ross. In fact I think, given the position that these figures have in society, and the salaries they command both of which far exceed political influence by any one politician, and these are salaries which we, the citizens pay for, the BBC Trust should insist on a kind of community service principle. Anybody contracted to them has an obligation to be political, with a small p and productive in engaging the politically disenfranchised in new forms of debate, across all platforms.
Good examples of this at work might be Monty Don and Jamie Oliver. Or of the BBC doing a cross platform thing on obesity.I haven’t quite worked out what I’m going to say yet, but I’m certainly going to be saying it.